Portfolio / 2026

Selected
Works

Yako, Girl! · To Tame a Witch: Hexes · The Colonizer’s Trash

01 / Family photographs, drawing and collage

Yako, Girl!

Yako, Girl! began as a way to generate more compassion between my mother and me and build a bridge of understanding as I enter my 40th year and she enters her 70th. I turned to her personal archives to learn about the beginning of her life, before I knew her as my mother, and to see more clearly what she lived through.

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I draw and collage around these photographs, surrounding a younger version of my mother with my own abstract worlds. In making this work, I am trying to tell her that I am sorry she has suffered in her life. Yako: I am sorry for your suffering. I am sorry you are hurting. In making this work, I am trying to generate more compassion for my mother and healing for myself for things she and I have experienced.

Archival photograph of a young woman amid bright abstract shapes
Family photograph with red and orange drawn forms
Black and white photograph with vivid pink and green marks
Woman in water surrounded by drawn forms
Archival figures against sweeping pink and yellow drawing
Two figures amid saturated abstract colors
Portrait surrounded by colorful abstract drawing
Archival figure with Yako Girl text and collaged architecture
Yako Girl artwork combining a family photograph with abstract drawing
Family photographs within red, yellow and blue drawing
Archival portrait amid pink, green and yellow abstract forms with Yako Girl lettering

02 / Photograph and text

To Tame a Witch:
Hexes

To Tame a Witch: Hexes was inspired by Ana Mendieta’s Silueta series and by my own life. It grew from the idea that women’s power is often disciplined, diminished, and buried because it is seen as too much.

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Alongside the photograph is a litany of acts meant to tame a woman: from love that controls and constant exhaustion to erasure and violence. I think of these acts as hexes intended to kill her magic. The work asks what happens when a woman is made to disappear and then covered with something beautiful, so that the violence becomes easier to look at.

Hexes

Bury her with beautiful flowers. Lovebomb her.

Spit on her. Starve her. Distract her. Rape her.

Harass her. Follow her. Exhaust her. Exhaust her. Exhaust her.

Deny her due process, policy, and praxis. Beat her. Cut her open. Laugh at her.

Steal from her. Empty her. Shush her. Erase her work. Her words. Her sound.

Drug her. Blame her. Lie to her. Lie to her. Lie to her.

Tell her she’s not woman enough. Gaslight her. Leave her no choice. Kill her.

Bury her with beautiful flowers.

A woman lies in grass, partly obscured by plants and flowers
Photograph by Mikhail Hardy

03 / 2024 · Performance and written work

The Colonizer’s Trash

In March 2023, I traveled to Paris, where human and animal feces smeared the streets.

PARIS WAS BURNING.

In this piece, I break down the trash mindsets, complexes, habits, ideologies, concepts, perspectives, and words I/we have inherited from white colonial settlers globally. I use physical objects to examine the contradictions my mind and body engage with daily.

Learn more about this work

In March 2023, I traveled to Paris, where human and animal feces smeared the streets.

PARIS WAS BURNING.

I didn’t take the time to comprehend why trash was piling up and stinking up the City of Lights and “love,” but I did enjoy the chaos it inflicted on a place that I found remained committed to anti-Blackness. Seeing the French navigate their precious city, now losing in a coup d’état to 10-foot-high piles of waste, was healing for me. The irony was that I’d inherited so much trash from the French, and they could not reconcile their own shit for months.

I WAS PLEASED.

See, I was born in a city within a country within a continent that had been divided, exploited, and left for dead by colonizers from France, England, Portugal, Italy, and Germany. I was born into a white man’s wet dream that did not offer me gold, timber, or ivory from the land of my ancestors, but instead tossed me white supremacy, capitalism, elitism, and environmental degradation as a value system. The colonizers left their subjects the worst type of inheritance: inferiority. The colonial project created laws, policies, cultural norms, and hierarchies that told us being Black, poor, “ugly,” uneducated, and queer were reasons for our exploitation and denigration. And today, most of us from these colonized lands still believe in this trash - that being Black, poor, “ugly,” uneducated, and queer is to be reversed with bleaching creams, college degrees, plastic surgery, weight loss, and Jesus.

NOW, CAN WE WAKE UP FROM THE WET DREAM?

In this piece, I break down the trash mindsets, complexes, habits, ideologies, concepts, perspectives, and words I/we have inherited from white colonial settlers globally. I want to share my ongoing journey to decolonization, framing my mind and body as primary sites for healing. I use a “database” of physical objects as personifications of larger colonial contradictions that my mind and body engage with daily - like adoring the artistry of Beyoncé while becoming repulsed by, with, and for the insatiability of Black capitalism.

I argue that, as a result of being born into a system of white supremacy, it is our everlasting work to accept ourselves - spirits and bodies - as more than sites for transformation into the image of the colonizer. I want this piece to serve as a reminder that we are more than money, light skin, designer clothing, thin waists, and degrees from racist institutions of higher “learning.” We’re spirits, and we’re healing from generations of colonization, but perhaps the first step is recognizing that this trash was never ours to begin with.

THE WORK IS CLEANING THE DIRT OFF THE GOLD.

Object 01 / 10

Kodak photograph of my family in Côte d’Ivoire (1991)

This is not trash; this is my last photo

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This is not trash; this is my last photo in Côte d’Ivoire before we moved to Maryland.

It was taken about 30 years after independence from the French, at the Félix Houphouët-Boigny International Airport. I start here because the mentality behind our departure is rooted in this photo and the inferiority complex that colors it.

We couldn’t stay where we were born because it felt empty—no money, no education, no goodness. All those things seemed to be in places filled with whites who didn’t want us there. Nonetheless, we felt compelled to chase after all the good stuff. We joined the millions of Africans who left the continent in 1991, working at Holiday Inn, relying on food stamps, and navigating new versions of racism, colorism, and xenophobia.

But it would all be worth it because, in America, money was God. And God is good!

THIS TRASH MAY BLUR YOUR SENSE OF HOME.

Kodak photograph of my family in Côte d’Ivoire (1991)

Object 02 / 10

Apple iPhone 14, earphones, and iPad (2023, 2020, 2019)

“I am not impressed by technology

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“I am not impressed by technology as long as it is dependent upon analog exploitation of the people in the Congo.” — Saul Williams

THIS TRASH MAY CAUSE AN INSTAGRAM ADDICTION.

Apple iPhone 14, earphones, and iPad (2023, 2020, 2019)

Object 03 / 10

American passport (2018)

It took me over 15 years to hold a blue

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It took me over 15 years to hold a blue passport—a good passport.

When I finally got it, the days of fighting with various American institutions for access or protection were gone, along with the series of embarrassing social events that come with a queer immigration status. The blue passport marked me as good enough to move through the world without being policed by visas, cartes de séjour, and various pieces of white paper.

With a green passport, I was an Ivorian—a person from a developing, third-world, or shit-hole country. No one wants people like us in their clean, white cities, stealing all their social securities and selling our bodies. A green passport meant you arrived somewhere to take, steal, and exploit; a blue passport meant you had proven yourself safe, smart, and upstanding enough to contribute. So, welcome to the other side.

THIS TRASH MAY CAUSE A FALSE PROMISE OF FREEDOM.

American passport (2018)

Object 04 / 10

Georgetown University master’s degree (2013)

We were taught to master their language

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We were taught to master their language so well that we forgot the power of our tongues; in their words, we found degrees, but in ours, we lost our freedom.

THIS TRASH MAY CAUSE A “RISE AND GRIND” MINDSET.

Georgetown University master’s degree (2013)

Object 05 / 10

Receipts from Louis Vuitton, Dior, and Gucci (2021)

Luxury peddlers and predators tell us that our purchasing power

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Luxury peddlers and predators tell us that our purchasing power is our personal power, which must be limitless in our pursuit of self, love, and community.

They scream at us in French: “Do not limit yourself when seeking an abundant life, because by wearing the right labels and carrying the right bag, you’ll show that you have taste, that you are special, and that you are needed! Don’t you want people to love you?! Don’t you want to be over THERE?”

So, we bought the delusion and the bag(s).

THIS TRASH MAY CAUSE A 450 CREDIT SCORE.

Receipts from Louis Vuitton, Dior, and Gucci (2021)

Object 06 / 10

Holy water, rosaries, and prayer pamphlet (1995–2023)

“The white man is very clever.”

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“The white man is very clever.”

“He came quietly and peaceably with his religion. We were amused at his foolishness and allowed him to stay. Now he has won over our brothers, and our clan can no longer act like one. He has put a knife on the things that held us together, and we have fallen apart.” Things Fall Apart, Chapter 20, pg. 152 (Chinua Achebe)

THIS TRASH MAY WASH AWAY YOUR SPIRIT ALONG WITH YOUR “SINS.”

Holy water, rosaries, and prayer pamphlet (1995–2023)

Object 07 / 10

Essential oil diffuser (2022)

This is a shit product

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This is a shit product I purchased on Jeff Bezos’s internet with my Prime account.

It broke within the first year of purchase, seemingly designed to be replaced. It came in plastic packaging with paper, bubble wrap, and lots of cardboard. Delivered within 24 hours, it was soon returned to the landfill with their family of waste and wasted materials. But I thought I needed it; I needed an essential oil diffuser to be well—that was the external condition I could muster for self-care. Self-care isn’t sold on Amazon?

THIS TRASH MAY CONFLATE WELLNESS WITH NEXT-DAY DELIVERY.

Essential oil diffuser (2022)

Object 08 / 10

ASOS shirt, Staud skirt, and H&M dress (2020)

To always look the part, trash has become available

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To always look the part, trash has become available to order in unlimited styles and fast fabrics: shiny, flammable, knitted, and even plastic/vegan trash.

Labeled as convenient outlets for finding luxury styles for ‘less,’ this trash is addictive, manipulative, and duplicative.

It fosters a dangerous delusion—the belief that we need more clothing for every occasion: parties, funerals, weddings, dates, interviews, presentations, baby showers, vacations, beach days, putt-putt golf tournaments, and the Houston rodeos. Maybe we need to care a little less and IG and Tik Tok, and lean into exercises in socialism and sustainability, like thrift stores, clothing swaps, and wearing the clothing we already have.

THIS TRASH MAY UNRAVEL YOUR CONNECTION WITH MOTHER EARTH.

ASOS shirt, Staud skirt, and H&M dress (2020)

Object 09 / 10

Renaissance World Tour tickets, Beyoncé on Essence, and Cécred nourishing hair oil (2023–2024)

Angela Davis said that 'Black capitalism is the notion that

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Angela Davis said that 'Black capitalism is the notion that the accumulation of wealth will solve the problems of the Black community,’ a definition that captures the neurosis of our era—a lie that $100 whiskey, $45 hair oils, and $800 concert tickets are progressively bringing us closer to liberation.

Black billionaires do not make my neighborhood safer, nor do they shift policies to alleviate my student loan debt or address systemic tragedies like the murder of Black women, femmes, and trans people. Beyoncé’s billions do nothing for me, but they do a lot for her. She has promised that generations of her family will be unbelievably wealthy while we gather our pennies for healthcare and groceries. Maybe us broke bitches wouldn't understand.

THIS TRASH MAY CAUSE A COLOR COMPLEX.

Renaissance World Tour tickets, Beyoncé on Essence, and Cécred nourishing hair oil (2023–2024)

Object 10 / 10

Relacore fat-burning belly kit (2017)

To be thin is not to be; good, kind,

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To be thin is not to be; good, kind, beautiful, patient, intelligent, funny, creative.

To be thin is to be thin. A body (that will eventually decompose) is thin. May this mean something, again.

THIS TRASH MAY CAUSE PLASTIC SURGERY.

Relacore fat-burning belly kit (2017)

The Colonizer’s Trash was a performance lecture done at Hamiltonian in 2024. Learn more about it.

Stephanie A. Kimou

Portrait of Stephanie A. Kimou

I am a conceptual artist, museum professional, and philanthropic strategist. I make work to heal and better know myself, drawing on family archives, found objects, photography, writing, and abstract art.

These materials help me return to the things I have carried and want to feel differently about. My practice is a personal process of looking closely, making meaning, and finding ways to move toward healing.

Download selected works (PDF)